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Hollywood seems determined to profit from remakes and sequels that movie makers have no concern writing, producing or releasing. Rather than working hard to generate new films — ones with novel plot devices, leads and stories from underrepresented communities and compelling cinematic visions, for example — the bigwigs of the American film manufacture are on a mission to chop-chop ruin any remnant of millennial childhood nostalgia.
So, information technology is with a heavy heart — and in recognition that January 10, 2021, marks five years since the passing of the absolutely legendary and incomparable David Bowie — that I am forced to address the announcement of a Labyrinth sequel. At present, does the original film require, necessitate or fifty-fifty hint at a sequel? Is the pb thespian from the original moving picture prepared to make an advent? Is the original manager notwithstanding bachelor? The answer to these questions is a single, resounding "NO." And yet, here we are. Sigh.
Allow me to take a cursory moment to hash out why a Labyrinth sequel is an atrocious, terrible, no-skilful idea.
A Bowie-Less Labyrinth Sequel Will Be a Travesty
The upcoming Labyrinth sequel faces some tough challenges. For starters, it's going to be missing its eternal, androgynous Jareth the Goblin Rex — a.g.a. the incomparable David Bowie. In 2016, the iconic genre- and gender-bending stone star lost a long boxing with liver cancer. His failing health was a well-kept surreptitious, and fans and admirers from all over the earth mourned his untimely passing.
If y'all believe that Bowie'southward absence from a Labyrinth sequel is more a casting challenge than a reason to cancel the unabridged project, I'd recommend that you go back and lookout man the original 1986 film. Bowie's presence extends beyond his insanely flustered hairdo, gigantic codpiece and cool charismatic demeanor — the man also wrote and performed more than half of the motion-picture show'southward soundtrack.
Seeing Bowie perform as Jareth is much similar watching him as Ziggy Stardust. It tin can be challenging to separate the truth from the fiction of these performances, as Bowie becomes then engrossed in his label that he simply ceases to be himself. Even equally an adult, it'south difficult to scout Jareth the Goblin King prance, trip the light fantastic toe and sing without occasionally stopping to think, "Wow. That really is David Bowie. And, yep, I will 'Dance the Magic Dance' down my hallway."
I'g pitiful, but information technology's incommunicable for a casting director to discover a multitalented actor/musician to fill Bowie's shoes in an upcoming sequel. Information technology's also a challenge to imagine whatever viable reason why the original — seemingly immortal — Goblin Male monarch would accept all of a sudden changed form. This type of confusion just deepens when considering what might become of the Labyrinth's creatures.
The Absence of Jim Henson'southward Creative Genius
Jim Henson, the mastermind behind the Muppets, directed the original Labyrinth motion picture. His masterful puppetry showed a depth of skill unmatched by rival puppeteers, and in a time without impressive CGI graphics, he was 1 of the go-to guys for practical special effects. Sadly, Henson passed away in 1990. Since that time, there have been no less than five theatrical releases with his charming Muppet characters — and they've all been atrocious.
Some might have those movies as a sign that Henson'south absenteeism is no big deal when attempting to make a sequel. They would be incredibly wrong. A Labyrinth sequel without Bowie AND Jim Henson would be like a Mrs. Doubtfire sequel without Robin Williams. (Don't you dare, 20th Century Fox!) Just terminate thinking about it and capeesh this magic for what it is!
Making a sequel to the Labyrinth film without using Henson's puppets would exist like George Lucas abandoning practical puppetry from his Star Wars franchise in favor of poorly-generated computer graphics. Oh…that's already happened, and the response has been less-than-stellar. Fans who accept grown up watching a specific picture show are bound to feel slighted, misunderstood or just obviously cheated when that film ends up lost in technological translation.
Not convinced that fans don't want a CGI-heavy Labyrinth remake? Take a look at how The King of beasts Male monarch fanbase (and critics) reacted to the CGI "alive-action"' Disney remake. Hither's a spoiler: They didn't like it.
A Project Fueled by Profits, Not Passions
All of this begs the question, "Why are these executives green-lighting and so many '80s remakes and sequels right at present?" Unfortunately, the answer lies in nostalgia-based profit. Academics take long studied consumer beliefs, and it seems that recent studies have not fallen on deaf ears.
In 2014, the Journal of Consumer Enquiry published findings on the connection between nostalgia and money-spending habits. They discovered that people are more willing to spend money when they're feeling sentimental or cornball. Advertising executives and motion picture producers have taken this tidbit of data and run with information technology.
That'southward why our electric current moving picture industry is flooded with remakes and unasked-for sequels, especially to icons from the 1980s and 1990s. Children from that era are now full-fledged adults with existential dread about the future as climate change, pandemics and political chaos go out generations clamoring for familiar, comforting nostalgia.
But rather than re-releasing original footage on updated media (think Blu-ray and 4K downloads), the pic industry would rather accept existing intellectual belongings and rebrand it for the younger generation. In most cases, the consequence is an alienated original audience and a disinterested youth. This is all washed in the name of and for the sake of profit.
So Please, Leave This Gem of a Movie Lonely
A picture show shouldn't exist pre-judged as good or bad, of grade, merely should instead be judged past its merit, reception and lasting bear upon. Still, even the most advanced hologram technology could not revive Bowie'southward onscreen presence (NOR SHOULD IT). And no amount of CGI could replace the authenticity and wonder of Henson's creations.
The only thing that could remain consistent between the original Labyrinth motion-picture show and its proposed sequel is its main screenwriter, Terry Jones (of Monty Python fame and glory). Simply as of this moment, at that place'south no word from the aging Brit as to his possible involvement in writing a sequel.
As a result, there'due south little hope that a Labyrinth 2 would be annihilation more a shameless, soulless cash grab aimed at adults who long for the simpler, stranger world that lay before them during the '80s. Whatever project based on profit, not passion, is doomed to fail, and that's why I'grand not looking forward to the mess of a sequel that undoubtedly lies alee.
Source: https://www.ask.com/entertainment/labyrinth-sequel-bad-idea?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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